Topography of Pain
I am built in layers, outer topography shaped to a smile. It isn’t fake— I’m happy to see you, happy to shine the spotlight somewhere else. I rise like a mountain, though moments before, I was low as a trench. Below the summit, I am still scoured by rockfall, carved by floods I didn’t summon. Who isn’t hollowed by heartache or loss? There’s another layer, though, below the confines of clay and stone, an aquifer, pressurized by pain, clear water that knows to find the cracks and fill the fissures. I’ve felt its sudden flowing— a senseless joy that rushes up, geyser beneath the weight of suffering. Once, trembling curled in the coldest loneliness, icesheets for a marital bed, pain so sharp I thought it would break me— I guess it did—faces poured up through the fissures, everyone who loved me was there in that room. I slept in a huddle of the warmest limbs. Same bed, a few years on, I begged breath through a straw blocked on one end, my chest ached every attempt to inhale. My body wasn’t my body. If I slept, would I wake again? This time, strangers reached into the cracks. I saw them lying in ICUs, yellow cabs blaring from the other side of walls they might never step beyond. I took a breath for them, willed that thin string of air to wind its way to the lungs of someone who needed it more than me. Someone always needs it more than me—this thread dropped me into the well, bedrock aquifer, crystal and calm. I was still sick, but I wasn’t scared. I have friends who get upset when I say it’s okay that I’m sick still. They don’t want me to bend reality to a smile; they want reality to bend, so smiling becomes natural again. But what could be more natural than sipping from the deepest well? Than looking to joy for a map through suffering? Than looking to suffering as if it’s connective tissue, as if cracks and fault lines are just paths from my heart to yours, as if isolation holds its own negation, as if smooth places hide secrets underground, caverns that defy boundary lines? We are never separate, least of all in our pain. When you reach a hand into the dark, it might be my breath that finds your fingers. When I call into the void, it might be your voice that echoes back.
Photo by Ricardo Gomez Angel on Unsplash
The Prompt
Since the beginning of May, I’ve been in
’s amazing, MFA-ish community, Conscious Writers Collective. In addition to all sorts of amazing synchronous learning opportunities, this gives me access to Maya’s vault of past courses. A week or so ago I spent a few hours enjoying her course on ‘Writing the Long Poem.’ Prior to this, I had a shorter-is-better bias. Maybe it’s my ADHD brain. Or my mom brain. Or my long Covid brain. But as a reader, I tend to struggle to stay with poems that stretch past a page or two.Watching Maya’s course helped me to appreciate the way longer poems can allow deeper nuance, hold contradictions, show the passage of time, and invite readers into an unfolding experience, rather than just its ultimate punchline. Above, you have my draft of a long-ish poem. There’s still more work to do, but I enjoyed writing it.
For today’s prompt, I am not telling you to write a long poem (though that could be a possible outcome of this). Instead, I want to invite you to try a variation on the process that I used to arrive at this poem. Grab a piece of paper and a pen (or sit down at your computer), set a timer for ten minutes, and free write whatever comes into your mind. Drop your filter. You can throw this document away when you’re done if you’d like. Just write. It will probably come out as prose. Don’t polish it, don’t fret over it, just let it pour out, even if the end result is something like “Oh my gosh this is so stupid, I hate free writing, nothing of value is going to come up, I used to like Lisa, but now I’m just so over her and her dumb prompts.”
If inspiration does strike before the timer dings, and a poem starts bubbling to the surface, of course you can roll with that, and switch from free writing into following the thread of that inspiration. Otherwise, when the buzzer goes off, take a breath or two, and look back over what you’ve written. Are there themes that emerge? Word pairings that grab you? Metaphors that want to be developed? Find your own prompt—whatever pulls you—from within what you’ve written. Then, long, short, or in-between, write your poem from there!
I look forward to reading your poems, friends. I hope the plunge into your stream of consciousness is refreshing, fruitful, surprising, or interesting!
I am itching for a starting place,
but everything I am, or do, was begun
long before the first breath graced
my lungs and will remain unfinished
long after the last. This is the nature
of everything; everything is in progress,
impermanent, an eyelash caught
in a draft and floating, fleeting, away,
making a space for the next creation.
"We are never separate, least of all in our pain." AMEN. This was beautiful, Lisa - I love your metaphorical topography imagery. So vivid. Here's some of my voice, echoing back:
*
Queer. Queer, queer, queer
as a $2 bill, queer as a coot,
queer as a Brighton Pier.
Queer as a football bat, I am
queer as they come, queer as
I want to be, queer as
I’m meant to be. Queer at last,
queer at last, thank God almighty
I’m free at last.
The truth is, I was always queer,
Even before I got here.
I came in this way and so I shall go out
when finally, I disappear.
I have no memory, not even a fragment,
of ever thinking myself a girl, but
I have plenty of them - me and my cells -
of bristling and twisting
at being told that I was.
And more still of wondering:
was it me or them getting things wrong?
As I wondered, sometimes I hummed
that classic Sesame Street song,
the one that told me one of these things
is not like the others, one of these things
just doesn’t belong. But the wondering
got to be too much, and I grew to hate
that song, so I decided maybe,
if I just closed my eyes to myself,
maybe, if I just didn’t see
my not belonging, it might go away.
Like the scary scenes on the big screens.
It didn’t, but I nearly did, again and again,
until one day, Grace
darted out in front of me and
shame slammed on the brakes.
What a glorious mess that collision made -
everything shattered from the impact
except the most brilliantly
colored essential bits. They scattered,
unrecognizable for what seemed like forever
until time bound them together,
enlivened them into a rainbow with
a strong and cohesive voice.
Today their message is as proud as it is clear.
We’re here,
we’re queer,
get used to it.